
Terence Malick’s latest film features an American (Ben Affleck) who falls in love with a French woman and a priest (Javier Bardem) who undergoes a crisis of faith.
IndieWire calls it “Malick’s most accessible work in years” while the Hollywood Reporter pans it as “inert” and “enervating.” The Guardian’s Peter Bradshaw writes : “At its best, Malick’s cinematic rhapsody is glorious; during his uncertain moments, he appears to be repeating himself. But what delight there is in this film.”
Ethics of Rhetoric in Times of War
What we say matters. And the way we say it matters. This is especially true in times…
How the State Failed Noelia Castillo
On March 26, Noelia Castillo, a twenty-five-year-old Spanish woman, was killed by her doctors at her own…
The Mind’s Profane and Sacred Loves
The teachers you have make all the difference in your life. That they happened to come into…