Watching the closing courtroom scene of The Merchant of Venice , I was struck by how allegorical it is. First, there’s Antonio, threatened with death for a debt that really was incurred by Bassanio. Second, he’s threatened by a Jew. Third, Shylock says something like “his blood be on my head,” the line that was deleted from the Passion. And the whole thing is in a setting where the issues are the conflict of justice/law and mercy, the outcome being that Venice is both just AND the justifier of Antonio.
The Revival of Patristics
On May 25, 1990, the renowned patristics scholar Charles Kannengiesser, S.J., delivered a lecture at the annual…
The Enduring Legacy of the Spanish Mystics
Last autumn, I spent a few days at my family’s coastal country house in northwestern Spain. The…
The trouble with blogging …
The trouble with blogging, RJN, is narrative structure. Or maybe voice. Or maybe diction. Or maybe syntax.…