According to Adolf Loos, a turn of the 20th-century Viennese architect and critic, modern style combines beauty and practicality. Both are necessary: “By beautiful, what we mean is that something has achieved fullness, completion. But no useless, impractical object can really be described as ‘full’ or ‘complete.’”
One can imagine Loos salivating over sleek grills with names like Broilmaster P3, The Thermidor, and the Weber Genesis.
Perhaps the original bohemians were already bobos?
Notes on Anosmia
One morning several years ago, as my wife, Wendy, and I were having breakfast together, I had…
Empire of Unreality
Shiva Naipaul (1945–1985) was the author of three novels and two books of mordant dispatches from places…
The Dreadful Christ of Pär Lagerkvist
It’s dangerous to meet a god,” says the disgraced Pythia in Pär Lagerkvist’s The Sibyl. Her observation…