For every lean brown cow, a makeshift shack for shelter
made of splintered planks and poles,
crowned with dented, rusted tin.
For every bamboo leaf, at dawn, one bead of dew,
crystal clear, and empty”open
like a lens to let light in.
For every petal floating on the surface of the pool,
shadows trembling on smooth stones
underneath still water’s skin.
And for each wretch who falters, and falls beside the road,
an hour of sleep, and dreams”no matter
what he’s done, or where he’s been,
no matter where he says he goes,
or what on earth he thinks he knows.
On Getting Old
Two years plus a couple of weeks ago, I wrote a column that began thus: “I am…
Dostoevsky’s Credo
What does it mean to believe something? Is it possible for a person to profess an idea…
Large Language Poetry
In my ideal undergraduate course in literary criticism, the first semester would include a brisk introduction to…