Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew performed by an Excellent Comedian, yet I cannot but think it was design’d Tragically by the Author. There appears in it such a deadly Spirit of Revenge, such a savage Fierceness and Fellness, and such a bloody designation of Cruelty and Mischief, as cannot agree either with the Stile or Characters of Comedy.”
Quoted in The Merchant of Venice (Shakespeare: The Critical Tradition) , 1-2.
Letters
Glenn C. Loury makes several points with which I can’t possibly disagree (“Tucker and the Right,” January…
Visiting an Armenian Archbishop in Prison
On February 3, I stood in a poorly lit meeting room in the National Security Services building…
Christians Are Reclaiming Marriage to Protect Children
Gay marriage did not merely redefine an institution. It created child victims. After ten years, a coalition…