The movers get it out—a Steinway grand,
half-rolled, half-carried to the street. A crowd,
molecular, implicit, is at hand
already. Music hovers meanwhile, proud
to weave into the day its ideal strand.
A pianist appears, hirsute and browed
like Rubinstein. Who would not understand
this may be Art? He pauses, turns. A loud
commotion follows. Noise? No, it’s a chord
by Beethoven that crashes on our ears.
Attention, everyone! Those who are bored
may leave. The rest are lifted to the spheres
as flights of sound riff on, a rippling stream.
The city is, for now, an angel’s dream.
—Catharine Savage Brosman
What JD Vance Found in the Church
In the sixth book of his Confessions, St. Augustine relates a story about an encounter he had…
Last Call for Submissions to the First Things Poetry Prize
The third annual First Things Poetry Prize is open for submissions until June 30. James Matthew Wilson is this year’s outside…
Jonathan Swift’s Savage Indignation
Miranda: “O wonder! . . . / O brave new world / That has such people in’t!”Prospero:…