Professor’s research allows audience to hear Shakespeare’s words in his own accent :
“American audiences will hear an accent and style surprisingly like their own in its informality and strong r-colored vowels,” Meier said. “The original pronunciation performance strongly contrasts with the notions of precise and polished delivery created by John Gielgud, Laurence Olivier and their colleagues from the 20th century British theater.”
Meier said audiences will hear word play and rhymes that “haven’t worked for several hundred years (love/prove, eyes/qualities, etc.) magically restored, as Bottom, Puck and company wind the language clock back to 1595.”
“The audience will hear rough and surprisingly vernacular diction, they will hear echoes of Irish, New England and Cockney that survive to this day as ‘dialect fossils.’ And they will be delighted by how very understandable the language is, despite the intervening centuries.”
Here’s what it sounds like:
And here’s an explanation by Paul Meier:
(Via: Kottke )
Letters
Joshua T. Katz’s (“Pure Episcopalianism,” May 2025) reason for a theologically conservative person joining a theologically liberal…
The Revival of Patristics
On May 25, 1990, the renowned patristics scholar Charles Kannengiesser, S.J., delivered a lecture at the annual…
The Enduring Legacy of the Spanish Mystics
Last autumn, I spent a few days at my family’s coastal country house in northwestern Spain. The…