Terry Eagleton puts it this way: “for Lacan all discourse is, in a sense, a slip of the tongue: if the process of language is as slippery as he suggests, we can never mean precisely what we say, or say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part failure, mixing non-sense and non-communication into sense and dialogue. We can certainly never articulate the truth in some ‘pure’ unmediated way: Lacan’s own notoriously sybilline style, a language of the unconscious all in itself, is meant to suggest that any attempt to convey a whole unblemished meaning in speech or script is a pre-Freudian illusion.”
The Dreadful Christ of Pär Lagerkvist
It’s dangerous to meet a god,” says the disgraced Pythia in Pär Lagerkvist’s The Sibyl. Her observation…
The Possibility of Possibility
"Might could” is a Southern expression meaning “maybe I could” or “I might be able to,” conveying…
The False Promise of No Contact
Around the time nineteen-year-old Alice began cutting ties with her family, she announced on social media that…