Stephen Booth writes, “Great works of art are daredevils. They flirt with disasters and, at the same time, they let you know they are married forever to particular, reliable order and purpose. They are, and seem often to work hard at being, always on the point of one or another kind of incoherence-always on the point of disintegrating and/or of integrating the very particulars they exclude-always and multifariously on the point of evoking suggestions of pertinent but syntactically impertinent auxiliary assertions and even saying things they cannot want to say, things irrelevant or antipathetic to their arguments or plain untrue.”
Moral Certitude and the Iran War
The current military engagement with Iran calls renewed attention to just war theory in the Catholic tradition.…
The Slow Death of England: New and Notable Books
The fate of England is much in the news as popular resistance to mass immigration grows, limits…
Ethics of Rhetoric in Times of War
What we say matters. And the way we say it matters. This is especially true in times…