Over at Public Discourse , Matthew J. Milliner has written one of the best brief articles on conservatism and the arts that I have read in some time:
To familiarize oneself with contemporary conservative ideas and publications often means choosing culture wars over culture. Conservatives are practiced in lionizing the classics and lamenting the decline of Western culture, but should one wish to fully engage the culture of our time, a Leftward drift is difficult to resist. For example, the editor of a successful journal devoted to religion and the arts, Image , recently announced his need to “walk away from the conservative movement,” for he found the “imposed abstractions” of contemporary conservatism less than conducive to the sponsorship of poetry, art and fiction. While I take issue with his decision, I admit it is understandable, for the arts and contemporary conservatism don’t quite go hand in hand. There are, of course, exceptions. The New Criterion has, since 1982, been devoted to challenging the fact that “the Left defined the only possible standard of enlightenment in matters having to do with art and culture.” But, to my knowledge, The New Criterion never aimed to be the sole enterprise in this regard. As the arts rarely attain more than token coverage in conservative journals and forums, The New Criterion —passionately despised by the Left when not ignored—often seems to go it alone.
Conservatism’s less than energized attention to the arts is, to be sure, understandable. Sifting the wheat from the endless fields of present-day cultural chaff is a herculean chore, and appears a luxury considering the urgent issues that rightly occupy the conservative mind. Does one really expect a honed pro-life advocate to put down her pen mid-argument to embark on a pleasant afternoon gallery stroll? Likewise, should a disciplined poet, lost in contemplative gaze, interrupt a potentially fruitful reverie for a primer on the current state of bioethics? Perhaps not, but should conservatism wish to retain its current adherents and attract new ones, attention to the arts may not be a choice, but a mandate—for patronage of culture, rightfully pursued, recalls for conservatives just what it is they hope to defend.
Dear Reader,
Can I be direct with you?
War abroad. Socialists on the rise. AI upending human life. Endless uproar online. The modern attention economy doesn’t want readers — it wants users enslaved to the tyranny of the present.
First Things is the antidote: literary excellence, timeless truths, and a fixed point of reference in a culture that has lost its bearings.
But we can’t do it without readers like you.
Our goal: Raise $150,000 by November 1 to sustain First Things in the year ahead.
Your gift anchors readers in the permanent things.
Make your Fall Campaign gift now using the button below.
If you have any questions or would like more information, please contact Giovanni Del Piero, Director of the Editor’s Circle, at gdelpiero@firstthings.com or 212-627-1985.
The Church in the Age of Therapy
In 1966, Philip Rieff wrote in The Triumph of the Therapeutic that “Religious man was born to…
Canada’s Deadliest Blind Spot
On September 20, the Daily Mail ran a story with the provocative headline, “Our 83-year-old Christian grandmother…
The Faithful Joy of Dolly Parton and Fulton Sheen
Dolly Parton and Fulton Sheen seem to have had little in common. She favored rhinestones; he wore…