Willa Cather once insisted that “a story is made out of an emotion or an excitement, and is not made out of the legs and arms and faces of one’s friends or acquaintances.”
The New Republic reviewer of The Selected Letters of Willa Cather quotes this axiom, but later in the piece describes Song of the Lark
as “tough as nails in its savage appraisal of the respectable folk of Moonstone, modeled in every conceivable way, building by building and street by street, on Red Cloud, and their resentful incomprehension of everything the budding artist in their midst, the singer Thea Kronberg, is and does.” There is a reference to Cather’s “incredible run of bitter masterpieces that Cather published during the 1920s.”
Which makes Cather’s stated theory sound like a way of deflecting attention from her actual intentions.
Dear Reader,
Can I be direct with you?
War abroad. Socialists on the rise. AI upending human life. Endless uproar online. The modern attention economy doesn’t want readers — it wants users enslaved to the tyranny of the present.
First Things is the antidote: literary excellence, timeless truths, and a fixed point of reference in a culture that has lost its bearings.
But we can’t do it without readers like you.
Our goal: Raise $150,000 by November 1 to sustain First Things in the year ahead.
Your gift anchors readers in the permanent things.
Make your Fall Campaign gift now using the button below.
If you have any questions or would like more information, please contact Giovanni Del Piero, Director of the Editor’s Circle, at gdelpiero@firstthings.com or 212-627-1985.
The Church in the Age of Therapy
In 1966, Philip Rieff wrote in The Triumph of the Therapeutic that “Religious man was born to…
Canada’s Deadliest Blind Spot
On September 20, the Daily Mail ran a story with the provocative headline, “Our 83-year-old Christian grandmother…
The Faithful Joy of Dolly Parton and Fulton Sheen
Dolly Parton and Fulton Sheen seem to have had little in common. She favored rhinestones; he wore…