The Guitar Maker

for Herbert Clancey

Like the signature in maplewood
              of sun-splashed rain,
this man’s bright pattern must remain
beside the workbench where he stood
              smoothing the grain.

Deprived of work, he would not rest
              for fidgeting;
he lived to build a living thing
that, by impassioned hands caressed,
              might learn to sing.

This shop is where his spirit is.
              Twelve months a year,
the world arranged to meet him here,
arriving in trussed packages
              from far and near.

Rosewood came from India,
              mahogany
came from the Caribbean sea,
from western Africa
              came ebony.

Tonewoods from earth’s four corners sent
              he stacked here, stored
beneath an image of Our Lord,
who made of him the instrument
              of their accord.

YOU MIGHT ALSO LIKE

Letters—August/September 2026

My first thought on “Boomer–Zoomer Housing War” by Carmel Richardson was the title; my second thought after…

The Scandal of Jewish Belief

J.H.H. Weiler

The Gospel of Matthew ends with this promise of Jesus to his disciples: “Behold, I am with…

The Sudden Death of the African Church 

D. P. Curtin

Total civilizational collapse is unusual. In the West, ­continuity exists between the Roman past and our contemporary…