for Herbert Clancey
Like the signature in maplewood
of sun-splashed rain,
this man’s bright pattern must remain
beside the workbench where he stood
smoothing the grain.
Deprived of work, he would not rest
for fidgeting;
he lived to build a living thing
that, by impassioned hands caressed,
might learn to sing.
This shop is where his spirit is.
Twelve months a year,
the world arranged to meet him here,
arriving in trussed packages
from far and near.
Rosewood came from India,
mahogany
came from the Caribbean sea,
from western Africa
came ebony.
Tonewoods from earth’s four corners sent
he stacked here, stored
beneath an image of Our Lord,
who made of him the instrument
of their accord.
Letters—August/September 2026
My first thought on “Boomer–Zoomer Housing War” by Carmel Richardson was the title; my second thought after…
The Scandal of Jewish Belief
The Gospel of Matthew ends with this promise of Jesus to his disciples: “Behold, I am with…
The Sudden Death of the African Church
Total civilizational collapse is unusual. In the West, continuity exists between the Roman past and our contemporary…