The movers get it out—a Steinway grand,
half-rolled, half-carried to the street. A crowd,
molecular, implicit, is at hand
already. Music hovers meanwhile, proud
to weave into the day its ideal strand.
A pianist appears, hirsute and browed
like Rubinstein. Who would not understand
this may be Art? He pauses, turns. A loud
commotion follows. Noise? No, it’s a chord
by Beethoven that crashes on our ears.
Attention, everyone! Those who are bored
may leave. The rest are lifted to the spheres
as flights of sound riff on, a rippling stream.
The city is, for now, an angel’s dream.
—Catharine Savage Brosman
The Ones Who Didn’t Convert
Melanie McDonagh’s Converts, reviewed in First Things last month, allows us to gaze close-up at the extraordinary…
The Burning World of William Blake (ft. Mark Vernon)
In the latest installment of the ongoing interview series with contributing editor Mark Bauerlein, Mark Vernon joins…
Bladee’s Redemptive Rap
Georg Friedrich Philipp von Hardenberg, better known by his pen name Novalis, died at the age of…