Many of Shakespeare’s plays explore the moral and political consequences of ingratitude, but Shakespeare is also cognizant of the tyrannical uses to which the demand for gratitude may be put. Lear is certainly about ingratitude, the “marble-hearted fiend” that infects and distorts the monsters of ingratitude Goneril and Regan, as well as Edmund. But it is equally, perhaps more fundamentally, about the heavy-handed demand for gratitude exercised by Lear himself. Ingratitude is a vice, but the dynamics of gratitude also have their vicious side.
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