Why are scenarios from Greek tragedy the source of so many motifs in modern thought, specifically in continental philosophy from the eighteenth century onward? Are modern writers simply mining the ancients for imagery, calling for a revival of interest, or doing something more subtle, like reprogramming the characters? Miriam Leonard explores these questions in a lecture (which is also, according to the university website, the basis of a forthcoming book) delivered at University College London:
Focusing on the works of Hegel, Nietzsche and Freud, [she] investigates how the return to antiquity was essential in formulating what we know today as the modern condition. From Hegel’s Antigone to Freud’s Oedipus, the predicament of the tragic protagonist was seen to encapsulate the metaphysical, aesthetic and psychological tensions of modernity.
Audio here .
YOU MIGHT ALSO LIKE
Rome and the Church in the United States
Archbishop Michael J. Curley of Baltimore, who confirmed my father, was a pugnacious Irishman with a taste…
Marriage Annulment and False Mercy
Pope Leo XIV recently told participants in a juridical-pastoral formation course of the Roman Rota that the…
Undercover in Canada’s Lawless Abortion Industry
On November 27, 2023, thirty-six-year-old Alissa Golob walked through the doors of the Cabbagetown Women’s Clinic in…
