Oxblood, bifold, kept
In a back bedroom
Closet all these years,
It dates to my time
Of adolescence,
And has the same near
Emptiness, the same
Lightness in the hand,
As those eclectic
Years do in my mind.
Still inside the box
(A gift, probably),
It appears never
To have lost the shape
That it was made in,
Never to have been
Broken in beyond
That first unfolding.
Deciding it’s mine,
Maybe the one thing,
Of all the jumbled
Things left behind here,
Still of some use, I
Take it down, empty
Out my overstuffed,
Ten-year-old trifold,
And begin the quick,
Unexpectedly
Mood-changing transfer,
Like a New Year’s kiss,
Of all its contents,
Leaving out as much
As I can bear to.
I like the way it
Feels on my person,
Or, more precisely,
How it doesn’t feel—
Cramped, inflexible,
Full of so many
Unused bits that it’s
Constantly trying
To undo itself
In the dark—and how
Everything it holds
Flips open and shut
Softly, with a light
Flapping of its one
Leather wing, and fits
Easily inside
Any old pocket:
So pleasant a weight,
And of such softness,
That you feel it might
Simply slip away,
That you could lose it,
Having forgotten
It was ever there.
The World That Spielberg Made
It’s a cliché to say that Steven Spielberg played an essential role in my life, partly because…
Nigel Biggar’s Thick Red Line
The New Dark Age:Why Liberals Must Win the Culture Warsby nigel biggarpolity, 192 pages, $25 Professor Nigel…
Neither Girlboss nor Tradwife
Iwasn’t supposed to like Yesteryear, which is why I was surprised, and a little embarrassed, to discover…