Shakespeare’s First Folio Turns 400
by Nathan M. AntielWe become Shakespeare’s “live-long monument” as he continues to shape us, to craft not verse but our lives and souls. Continue Reading »
We become Shakespeare’s “live-long monument” as he continues to shape us, to craft not verse but our lives and souls. Continue Reading »
A nation that understands itself—especially its virtues—can adapt without losing its distinctiveness. Continue Reading »
Catholic Colleges I greatly enjoyed Veronica Clarke’s “Why I Went to a Catholic College” and her clear reasoning for the superiority of choosing such a path (December 2022). Although I am a graduate of three universities (two private, one public), I can no longer bring myself to give them . . . . Continue Reading »
Holding a Mirror Up to Nature opens with the story of Walter Manstein, “a distinguished-looking man in his late forties” with a successful career as a publisher. On the night of their twentieth wedding anniversary, Manstein strangled his wife to death with the leash of her pet dog. . . . . Continue Reading »
Lee Oser joins the podcast to discuss his new book, Christian Humanism in Shakespeare: A Study in Religion and Literature. Continue Reading »
King Lear is a political play, a drama of kingship. In Lear as in his English history plays, Shakespeare explores what happens when a world loses the political rituals that once ordered it. Continue Reading »
There recur in the work of T. S. Eliot two obsessions that make one cringe: his Jew-hatred and his contempt for Shakespeare’s Hamlet. The first is sometimes excused as a reflection of ambient prejudice, the second as critical crankiness. In fact, these obsessions have a common source. The . . . . Continue Reading »
Around the start of the seventeenth century, a new sense of the word “harmony” emerged. To that point, harmony in music had been produced by the pleasing opposition of two melodies according to the principles of counterpoint. In the 1600s, “harmony” began to denote the non-melodic . . . . Continue Reading »
The Shakespeare-in-a-year reading plan, updated for 2020! Continue Reading »
Harold Bloom, who died in October at age eighty-nine, was The Last Great American Literary Critic. The Sterling Professor of Humanities at Yale, he wrote best sellers, appeared on talk shows, and collected honorary doctorates like lint. Bloom championed the Western Canon against its critics, . . . . Continue Reading »