The holiday season was too busy for me to compile this sort of list, especially with a move to a new home thrown in, an event that always makes one ambivalent about book ownership anyhow. “Isn’t time to invest in a Kindle?” was the crack my younger economist friend made as we filled . . . . Continue Reading »
Here in the Scott household, yours truly has taken a bit of ribbing from Frau Scott for saying bonne things (scroll below) about Cate Le Bon : “How’s your new girl -friend!” has been the taunt. Well, she’s got it all wrong—it’s not like my admiration for Susanna Hoffs . . . . Continue Reading »
Rock and disco, the typical middle-class alternatives to Afro-American popular music, are inferior forms of music; however, as Pete Townsend helped us to see in the last Songbook post , it may usually be too difficult, and is (arguably) inauthentic anyhow, for middle class persons to play . . . . Continue Reading »
Its lyrics are fairly interesting (in a nutshell, relativistic autonomy gets declared in a “manly” mod key) and music-wise it features the ground-breaking and still tasty-sounding feedback break. But my discussion will focus on the relation between The Who’s trademark . . . . Continue Reading »
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