“Why Did We Destroy Europe?” It’s an arresting title, chosen by Michael Polanyi for a 1970 essay that looks back on the conflagrations that consumed Europe between 1914 and 1945. (The essay can be found in Society, Economics & Philosophy, a posthumous volume of selected papers by . . . . Continue Reading »
First Things remains relevant by focusing on the eternal, not the fashionable. It is not merely conservative, but sound. Continue Reading »
In our hyper-ironic age, Austen has much to teach us about the mutual dependence of comedy and morality. Continue Reading »
Our founding fathers are rarely praised as fountains of mirth. As a child, I read and reread The Wit and Wisdom of Abraham Lincoln until the book disintegrated. Can you imagine such a volume for Washington or any of his confreres? Benjamin Franklin is the exception. He is remembered as the . . . . Continue Reading »
A place for everything; everything in its place—that’s what crossed my mind as I listened to the surgeon talk. Continue Reading »
Bless me, Father, for I have sinned; it has been one day since my last confession.Three times I participated in an argument about trigger warnings. Each time I swore it was my last.Once I replied “lol i’m not mad, it’s just funny to me” Father, I was super mad.I read an article about whether . . . . Continue Reading »
If a hoarsely chanted version of the “Hot Pockets” jingle means anything to you, that’s probably a sign that you are a fan of the stand-up comedy of Jim Gaffigan. Clean, Catholic, and hilarious, Gaffigan—who writes his material with his wife Jeannie—has impressed many by his ability to . . . . Continue Reading »
So, you’ve started a church plant. You’ve gathered together a few faithful families and individuals from within a community, and you’re likely now meeting in homes, rented office space, or more likely—a public school building. Hopefully, you’ve decided (and founded your church) upon . . . . Continue Reading »
Saturday night my wife and I went to the symphony. One of the pieces we heard was Symphony no. 4 by Sergei Prokofiev. In the program notes, one of the things we were informed about this symphony was that it borrowed heavily from an earlier work, which was a ballet entitled The Prodigal Son. . . . . Continue Reading »
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