Marlene Dietrich’s War on Nature
by John Byron KuhnerMarlene Dietrich's life is a parable about growing old and being famous. Continue Reading »
Marlene Dietrich's life is a parable about growing old and being famous. Continue Reading »
Switchblade Sisters is one of the most idiotic and embarrassing movies ever made. I should know. I wrote it. Continue Reading »
Once again, college students are in angry rebellion—against almost everything, it seems. I remember the feeling. But it is more than half a century since I smelled the anger and the tear gas. Here are my best recollections of an earlier time of rage, revolt, and high expectations. It is 1965, . . . . Continue Reading »
Oliver Stone is one of America’s best directors, but Hollywood has gone too far even for him. Continue Reading »
Martha Bayles and Mark Bauerlein discuss the many ways the American film industry has caved to the demands of the Chinese market. Continue Reading »
Keeping a straight face, I’m going to argue that American popular comedy has lost the virtue of hope, which was retained in the past by even the most severe satire. Hollywood has produced popular comedy in all its forms, including radio, TV, and stand-up. Discussing the most universal and lasting . . . . Continue Reading »
Unlike most of what emerges from Tinseltown, a new genre of comedy focuses not on the travails of the young, but of those in their 70s. Continue Reading »
Hollywood, like so many of our elites, has chosen short-term advantage over the health of shared institutions. Continue Reading »
I am the last living blacklisted Hollywood writer. I can’t prove this any more than I could legally prove my blacklisting at the time. (The blacklist, after all, was an illegal conspiracy subject to lawsuits.) I am reasonably certain about this claim because I knew the Hollywood writers in . . . . Continue Reading »
Does hate have limits? Sadly, yes, it does. Continue Reading »