“Why Did We Destroy Europe?” It’s an arresting title, chosen by Michael Polanyi for a 1970 essay that looks back on the conflagrations that consumed Europe between 1914 and 1945. (The essay can be found in Society, Economics & Philosophy, a posthumous volume of selected papers by . . . . Continue Reading »
Initially developed at the University of Toronto between the 1930s and 1970s, media ecology is a meta-disciplinary perspective that understands media as environments that shape human consciousness. Despite this expansive approach to media, media ecology has generally shied away from exploring that . . . . Continue Reading »
Since the beginning of the Biden administration, there have been rumblings that the White House and federal agencies have also privately pressured social media companies to squelch dissent. Continue Reading »
Mark Hemingway joins the podcast to discuss his work for RealClearInvestigations, addressing state and private censorship and reviving the art of investigative journalism. Continue Reading »
The history of American cinema in the twentieth century is understood today as a march from inhibition to expression. The films produced during the long reign of the Motion Picture Production Code, from 1934 to 1968, are assumed to be deficient for honoring limits on what could be seen and heard . . . . Continue Reading »
Social media platforms such as Facebook, Twitter, and YouTube are virtual public squares, allowing individuals to communicate their views to wide audiences. At first, these platforms avoided regulating user-created content. But pressure from politicians, activist corporations, and users . . . . Continue Reading »
Mark Meckler, president of Convention of States Action, joins the podcast to discuss Former President Trump's recent filing suit against the nation's three biggest tech companies. Continue Reading »
Trying to argue for intellectual diversity and good faith by sticking up for kink is like trying to get high-school students excited about reading Romeo and Juliet by comparing it to Fifty Shades of Grey—it’s not just ridiculous, but dishonest. Continue Reading »