Perhaps the most heatedly denounced work of a distinguished scholar is Harry Jaffa’s occasional writing on homosexuality. The passions surrounding the issue distort understanding of these essays, but his purpose in them follows that of the rest of his mature corpus—the recovery of natural right and the great intertwined questions of reason and revelation. Jaffa’s writings on the topic need to be approached from the moral-political perspective from which they were intended. Continue Reading »
On February 9, I had the pleasure of finally seeing one of my favorite bands for the first time—a progressive rock supergroup called Transatlantic. Because all of my friends are too respectable for such things, I made my journey to the concert alone. For a progressive rock supergroup, however, Transatlantic has an excellent pedigree: The band was founded in 1999 as a side project of four progressive rock musicians from America and Europe (hence the name Transatlantic): Neal Morse, then of Spock’s Beard; Mike Portnoy, then the drummer for Dream Theater; Roine Stolt, the lead guitarist of The Flower Kings; and Pete Trewevas, the bassist from Marillion. Continue Reading »
I’ve finally now seen the recent film production of Coriolanus , starring and directed by Ralph Fiennes, and it is as I feared , a failure. It’s one of these updating adaptations of a Shakespeare play—in this case the politics and warfare of the early Roman city-state gets refitted . . . . Continue Reading »
Rock and disco, the typical middle-class alternatives to Afro-American popular music, are inferior forms of music; however, as Pete Townsend helped us to see in the last Songbook post , it may usually be too difficult, and is (arguably) inauthentic anyhow, for middle class persons to play . . . . Continue Reading »
. . . the rock and roll apparatus affectively organizes the everyday life of its fans by differentially cathecting the various fragments it “excorporates” along these three axes. . . . It involves vectors (quantities having both magnitude and direction) that are removed from the hegemonic . . . . Continue Reading »
Love and Friendship by allan bloom simon & schuster, 590 pages, $25 “Christianity gave Eros poison to drink. He didn’t die, but became vice.” This is one of Nietzsche’s more famous obiter dicta, and Allan Bloom finds the occasion to cite it more than once in this, his last book, . . . . Continue Reading »
