The pop music of the last 50 years really has become progressively bereft of musical variety. So says this Spanish analysis of gobs of pop songs .
So Martha Bayles is right. Geoffrey O’Brien’s nightmare last chapter of Sonata for Jukebox is right. And me too, I think. See my Rock Songbook #52 , especially the part that says:
“A1: The pop-song form has definite limits.
A2: Modern intellectual classes, getting caught-up in 20th-century historicist hope, impressed by remarkable breakthroughs in Afro-American music and recording/amplification technology, and charged by the initial novelty of certain mid-60s musical experiments, lost sight of this, and placed a great deal of expectation on rock’s advancement of the pop form.
A3: Continual efforts to break out into something new reaped diminishing returns, and resulted in ever more finely-wrought recyle-ment and mixture of the existing possibilities.”
The Revival of Patristics
On May 25, 1990, the renowned patristics scholar Charles Kannengiesser, S.J., delivered a lecture at the annual…
The Enduring Legacy of the Spanish Mystics
Last autumn, I spent a few days at my family’s coastal country house in northwestern Spain. The…
The trouble with blogging …
The trouble with blogging, RJN, is narrative structure. Or maybe voice. Or maybe diction. Or maybe syntax.…