I hated Jack Kerouac’s On The Road when I read it in my early teens. I expected a carefree romp that would glamorize and endorse antinomian adventures such as I hoped to have. Instead I found a disorienting and melancholy book—all hangover and no high.
In ” The End of the Road ” (October 2008) our features editor, R.R. Reno, suggests that it is precisely this note of melancholy that reveals the greatness of the book. I’d tell you more about his intriguing line of thought, but I’d rather you read for yourself.
Notes on Anosmia
One morning several years ago, as my wife, Wendy, and I were having breakfast together, I had…
Empire of Unreality
Shiva Naipaul (1945–1985) was the author of three novels and two books of mordant dispatches from places…
The Dreadful Christ of Pär Lagerkvist
It’s dangerous to meet a god,” says the disgraced Pythia in Pär Lagerkvist’s The Sibyl. Her observation…