The first few pages of Francesca Aran Murphy’s The Comedy Of Revelation were delightful, but her section on Genesis was disappointing. The comedy she sees in Genesis is mainly of her own making ?Eshe simply retells the biblical stories in a jazzy, smark-alecky fashion, and we’re supposed to say, presumably, “Oh, I never realized that story was funny.” Her conclusion, though, is more significant: She compares the many deceptions and disguises of Genesis to the disguises and false identities that drive Shakespearean (and other) comedy. An intriguing thought: Genesis as Wodehousean comedy.
The Enduring Legacy of the Spanish Mystics
Last autumn, I spent a few days at my family’s coastal country house in northwestern Spain. The…
The trouble with blogging …
The trouble with blogging, RJN, is narrative structure. Or maybe voice. Or maybe diction. Or maybe syntax.…
The Bible Throughout the Ages
The latest installment of an ongoing interview series with contributing editor Mark Bauerlein. Bruce Gordon joins in…