In Augustine’s version of Psalm 8, the title refers to wine-presses. That leads him into an extended meditation on how wine presses and threshing floors symbolize the church:
“We may then take wine-presses to be Churches, on the same principle by which we understand also by a threshing-floor the Church. For whether in the threshing-floor, or in the wine-press, there is nothing else done but the clearing the produce of its covering; which is necessary, both for its first growth and increase, and arrival at the maturity either of the harvest or the vintage. Of these coverings or supporters then; that is, of chaff, on the threshing-floor, the grain; and of husks, in the presses, the wine is stripped: as in the Churches, from the multitude of worldly men, which is collected together with the good, for whose birth and adapting to the divine word that multitude was necessary, this is effected, that by spiritual love they be separated through the operation of God’s ministers. For now so it is that the good are, for a time, separated from the bad, not in space, but in affection: although they have converse together in the Churches, as far as respects bodily presence. But another time will come, the grain will be stored up apart in the granaries, and the wine in the cellars.”
Or, the word of God may be compared to a grape, whose skin of sound has to be removed to get to the sweet wine within:
“even the Divine Word may be understood by the grape: for the Lord even has been called a Cluster of grapes; which they that were sent before by the people of Israel brought from the land of promise hanging on a staff, crucified as it were. Accordingly, when the Divine Word makes use of, by the necessity of declaring Himself, the sound of the voice, whereby to convey Himself to the ears of the hearers; in the same sound of the voice, as it were in husks, knowledge, like the wine, is enclosed: and so this grape comes into the ears, as into the pressing machines of the wine-pressers. For there the separation is made, that the sound may reach as far as the ear; but knowledge be received in the memory of those that hear, as it were in a sort of vat; whence it passes into discipline of the conversation and habit of mind, as from the vat into the cellar: where if it do not through negligence grow sour, it will acquire soundness by age.” In this, we hear continuing echoes of Augustine’s early view (expounded in de Magistro ) that we cannot actually learn anything from signs. For all the charm of this image, it represents a misleading conception of language.
Or, finally, the wine-press might refer to martyrdom: “‘Wine-presses’ are also usually taken for martyrdoms, as if when they who have confessed the name of Christ have been trodden down by the blows of persecution, their mortal remains as husks remained on earth, but their souls flowed forth into the rest of a heavenly habitation.”
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