When Rembrandt looked into the face of his savior, says Dan Neil, he saw his own :
Did Christ really have awesome abs? Western art has frequently stumbled over the contradiction between the ascetic figure of Jesus of Nazareth and the iconography of Christ inspired by the heroic, Hellenistic ideal: Christ as beautiful, tall and broad-shouldered, God’s wide receiver; blue-eyed, fair-haired, a straight aquiline nose, Christ as European prince.
Rembrandt van Rijn, in a career rich with artistic innovation, begged to differ. A new exhibition at Paris’s Louvre museum—and coming to Philadelphia and Detroit later this year—shows in dozens of oils, charcoal sketches and oak-panel studies how the 17th-century Dutch painter virtually reinvented the depiction of Jesus and arrived at a more realistic portrait.
(Via: TitusOneNine )
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