Desire and text

What Carey Walsh calls the “jumpiness” of the Song ( Exquisite Desire ) has sometimes been taken as evidence of multiple authorship or sloppy editing.  Walsh claims it is deliberate, a literary depiction of the desire that is the content of the Song.

It is, as Walsh says, impossible to keep up with the lovers: “They are at home, out in the street, alone, together, in a pasture, atop a mountain, talking with others, in Jerusalem, near En-Gedi, talking to themselves, in a vineyard – all seemingly in a matter of seconds.”  Just how life feels when we are full of desire: “Time speeds up and slows without your consent, locations shift, details are lustfully ignored under desire’s influence . . . . desire is never a clear-cut progressive journey, and the abrupt scene and voice changes testify to that truth.”

Desire’s power is so great that it is even capable of tampering “with the text that has it as its central theme.”

Next
YOU MIGHT ALSO LIKE

Ethics of Rhetoric in Times of War

R. R. Reno

What we say matters. And the way we say it matters. This is especially true in times…

How the State Failed Noelia Castillo

Itxu Díaz

On March 26, Noelia Castillo, a twenty-five-year-old Spanish woman, was killed by her doctors at her own…

The Mind’s Profane and Sacred Loves

Algis Valiunas

The teachers you have make all the difference in your life. That they happened to come into…