Desire and text

What Carey Walsh calls the “jumpiness” of the Song ( Exquisite Desire ) has sometimes been taken as evidence of multiple authorship or sloppy editing.  Walsh claims it is deliberate, a literary depiction of the desire that is the content of the Song.

It is, as Walsh says, impossible to keep up with the lovers: “They are at home, out in the street, alone, together, in a pasture, atop a mountain, talking with others, in Jerusalem, near En-Gedi, talking to themselves, in a vineyard – all seemingly in a matter of seconds.”  Just how life feels when we are full of desire: “Time speeds up and slows without your consent, locations shift, details are lustfully ignored under desire’s influence . . . . desire is never a clear-cut progressive journey, and the abrupt scene and voice changes testify to that truth.”

Desire’s power is so great that it is even capable of tampering “with the text that has it as its central theme.”

Next
YOU MIGHT ALSO LIKE

Moral Certitude and the Iran War

Steven A. Long

The current military engagement with Iran calls renewed attention to just war theory in the Catholic tradition.…

The Slow Death of England: New and Notable Books

Mark Bauerlein

The fate of England is much in the news as popular resistance to mass immigration grows, limits…

Ethics of Rhetoric in Times of War

R. R. Reno

What we say matters. And the way we say it matters. This is especially true in times…