In another part of his oration, Constantine analyzes Virgil’s famed Fourth Eclogue, which Christians often took as a pagan prophecy of Christ. Constantine believes that it’s a deliberate prophecy, but one he deliberately obscured for fear of persecution: “these words are spoken plainly and at the same time darkly, by way of allegory. Those who search deeply for the import of the words, are able to discern the Divinity of Christ. But lest any of the powerful in the imperial city might be able to accuse the poet of writing anything contrary to the laws of the country, and subverting the religious sentiments which had prevailed from ancient times, he intentionally obscures the truth.”
YOU MIGHT ALSO LIKE
The Classroom Heals the Wounds of Generations
“Hope,” wrote the German-American polymath Eugen Rosenstock-Huessy, “is the deity of youth.” Wholly dependent on adults, children…
Still Life, Still Sacred
Renaissance painters would use life-sized wooden dolls called manichini to study how drapery folds on the human…
Letters
I am writing not to address any particular article, but rather to register my concern about the…
