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The Coming of Medical Martyrdom

Wesley J. Smith

Doctors don’t take the Hippocratic Oath anymore, and haven’t for several decades. The oath’s ethical proscriptions against…

The Courts and the Impossibility of Autonomy

David T. Koyzis

Earlier this month the Supreme Court of Canada delivered its long-awaited decision in Carter v Canada, known…

First Links — 2.19.15

The Editors

College, Poetry, and Purpose Frank Bruni, The New York Times Landfall Gabriel Olearnik, Dappled Things Jailhouse Feminism…

“We” Humans

Peter J. Leithart

In a series of studies, Michael Tomasello and colleagues at the Max Planck Institute for Evolutionary Biology…

How God Comes To Reign

Peter J. Leithart

After the two witnesses, the seventh angel blows the seventh trumpet, and loud voices of praise break…

Lion Tribes

Peter J. Leithart

Solomon’s throne had six steps (1 Kings 10), with two lions flanking each step. That means 12…

50 Years from T. S. Eliot

Matthew Milliner

Much already has been and will be said about T. S. Eliot this year, which marks a…

The Jon Stewart Effect

Mark Bauerlein

One of the memorable media events of the 2000s took place when Jon Stewart appeared as a…

First Links — 2.18.15

The Editors

Digitizing the Humanities Armand Marie Leroi, The New York Times Lenten Homilies: A Single Author Anthology Sandro…

Structure in Revelation 11

Peter J. Leithart

The account of the two witnesses (Revelation 11:3-13) is arranged in a chiastic order: A. Two witnesses,…

The Double

Peter J. Leithart

Richard Ayoade’s 2013 The Double, based on a Dostoevsky novella, is a dark comedy in every sense…

Receptivity and Lack

Peter J. Leithart

Building on John Paul II’s theology of the body, Adam Cooper’s Holy Eros sketches out a “liturgical theology…

A Theology of Martyrdom

Collin Garbarino

ISIS has beheaded twenty-0ne Egyptian Christians in Libya. What should the Church do? How do we respond?…

Picturing Mary, Seeing Satan

Travis LaCouter

Washington, D.C.’s National Museum of Women in the Arts has since December hosted an exhibit focused on…

Who’s Afraid of Modern Art?

Peter J. Leithart

“Who’s afraid of modern art?” asks Daniel Siedell. He answers, “I am.” As critic and curator, Siedell…