Milkwhite in his alb and still as this temple,
The priest waits with the stone patience of a heron.
I approach in the deadfall of midafternoon,
Flotsam blown in out of the snow-harrowed day.
He stabs once, twice, raking my cold brow
With the stiff bill of his ash-black thumb.
“Remember, man, thou art dust . . . ”
His cello voice, half altar, half mountain,
Groans more than speaks my name and blame.
Stabbed and marked, I make my way to a back pew.
Here, the act seems mere calligraphy-
Cross and death and their one-day shadow.
Meanwhile I relax, regarding the solemnities
Of stained glass and enjoying the hearth-fire warmth.
Oh yes, a fierce winter for us and worse for the beasts.
Where is the mercy, I ask, in this season
Of bird-killing ice and tree-snapping wind,
This bitter winter made by the Maker of All Things?
But the heron priest has pressed the answer
Onto and into my everyman brow.
Murmur as I may, I know that this bitter time,
As all bitter things, was made by me
When I walked, winter innocent, in the old garden
And plucked in summer joy the ash-bearing fruit.
Our Most Popular Articles of 2025
It’s been a big year for First Things. Our website was completely redesigned, and stories like the…
Our Year in Film & Television—2025
First Things editors and writers share the most memorable films and TV shows they watched this year.…
Religious Freedom Is the Soul of American Security
In the quiet sanctuary of West Point’s Old Cadet Chapel, a striking mural crowns the apse above…