Milkwhite in his alb and still as this temple,
The priest waits with the stone patience of a heron.
I approach in the deadfall of midafternoon,
Flotsam blown in out of the snow-harrowed day.
He stabs once, twice, raking my cold brow
With the stiff bill of his ash-black thumb.
“Remember, man, thou art dust . . . ”
His cello voice, half altar, half mountain,
Groans more than speaks my name and blame.
Stabbed and marked, I make my way to a back pew.
Here, the act seems mere calligraphy-
Cross and death and their one-day shadow.
Meanwhile I relax, regarding the solemnities
Of stained glass and enjoying the hearth-fire warmth.
Oh yes, a fierce winter for us and worse for the beasts.
Where is the mercy, I ask, in this season
Of bird-killing ice and tree-snapping wind,
This bitter winter made by the Maker of All Things?
But the heron priest has pressed the answer
Onto and into my everyman brow.
Murmur as I may, I know that this bitter time,
As all bitter things, was made by me
When I walked, winter innocent, in the old garden
And plucked in summer joy the ash-bearing fruit.
Rome and the Church in the United States
Archbishop Michael J. Curley of Baltimore, who confirmed my father, was a pugnacious Irishman with a taste…
Marriage Annulment and False Mercy
Pope Leo XIV recently told participants in a juridical-pastoral formation course of the Roman Rota that the…
Undercover in Canada’s Lawless Abortion Industry
On November 27, 2023, thirty-six-year-old Alissa Golob walked through the doors of the Cabbagetown Women’s Clinic in…