Shadow Show
by Peter WoodArtemisia: Light and Shadow, a one-act, one-person play at the Flea Theater in Tribeca, portrays the life of the seventeenth-century Baroque painter Artemisia Gentileschi. Continue Reading »
Artemisia: Light and Shadow, a one-act, one-person play at the Flea Theater in Tribeca, portrays the life of the seventeenth-century Baroque painter Artemisia Gentileschi. Continue Reading »
A new rendition of Shadowlands, the drama based on the story of C. S. Lewis and Joy Davidman, is now playing in Manhattan. Continue Reading »
In Death Comes for the War Poets, Joseph Pearce poses anew the questions of life, death, and humanity that haunted the poets of the Great War. Continue Reading »
In opera, it’s good to be the tenor. You get the high notes, you get the girl, and you get the big fees. And this has been a half century rich in remarkable tenors. Perhaps there has been no voice so purely beautiful as Luciano Pavarotti’s (or as profitable), and probably no singer so broadly . . . . Continue Reading »
However much traditional standards are leveled in our late democratic society, American theater will persist in challenging putatively oppressive values and the figures who enforce them. So I concluded after seeing Wit, the play by Margaret Edson that won the Pulitzer Prize in 1999 and is . . . . Continue Reading »