The Walking Dead, a horror show about flesh-eating zombies, has become a television sensation—perhaps the most popular cable program on the air today.For those who don’t watch, here is the basic premise: A mysterious zombie disease has infected all of mankind. It doesn’t make people sick . . . . Continue Reading »
An academic friend was visiting from abroad, and after a day of talks and teaching, we wound down around ten o’clock at night. Noticing my exhaustion, he offered a secret to decompression. “Zohmbies, Mahtt,” he counseled in his inimitable Greek accent. So it was that I tuned into my first . . . . Continue Reading »
Viewers of Downton Abbey may have noticed in the recently aired first episode of Season Six that Carson the Butler articulated, in a delicate but firm and unmistakable way, the truth that marriage is a conjugal union. Mrs. Patmore, the cook, is sent as an emissary of Carson's fiancée, Mrs. Hughes, . . . . Continue Reading »
The long-running British sci-fi staple Doctor Who has quietly become one of the most pro-life shows on television. Under the tenure of showrunner Steven Moffat, there has been a strong pro-life subtext for several seasons of Doctor Who. Even before Moffat took the reins of the show, he wrote a pair . . . . Continue Reading »
A woman lovingly plucks a dead pheasant. A man places a human arm on a cutting board with care, readying his chef’s knife. A woman sinks into a bathtub, seemingly dropping into an abyss. A corpse is lifted on high, framed by wings made of broken glass.All these images (horrific, gorgeous, . . . . Continue Reading »
Like any show with a cult following, Arrested Development is a show you can’t leave alone; better, it is a text you can’t put down. I use the word text intentionally, for Arrested is verbose—not quite in the style of Gilmore Girls, but rather in a hypertextual kind of way. The show compels and . . . . Continue Reading »
I recently spoke to stand-up comedian Jim Gaffigan and his wife and co-writer, Jeannie, about the role faith plays in their new TV show and in their lives.
Maury’s struggling to stay in character. Normally he’s the picture of paternal stability: amused but not belittling, hortatory but not pedantic, firm but not overbearing. This is why they seek him out in their most difficult moments, this parade of wounded people from cash-poor neighborhoods across the country. They flock to his sound stage in Stamford, Connecticut hoping to find the sort of judge, the sort of social worker, the sort of counselor—and yes, the sort of father—that they haven’t encountered elsewhere. Maury Povich gives a fair hearing. But even Maury is occasionally worn thin by the monotony of human weakness, and today is one such day. Continue Reading »
Wolf Hall, the BBC adaptation of Hillary Mantel’s novel about early Tudor England, began airing on PBS’s “Masterpiece Theater” Easter Sunday night. It’s brilliant television. It’s also a serious distortion of history. And it proves, yet again, that anti-Catholicism is the last acceptable bigotry in elite circles in the Anglosphere.The distortions and bias are not surprising, considering the source. Hillary Mantel is a very talented, very bitter ex-Catholic who’s said that the Church today is “not an institution for respectable people” (so much for the English hierarchy’s decades-long wheedling for social acceptance). As she freely concedes, Mantel’s aim in her novel was to take down the Thomas More of A Man for All Seasons—the Thomas More the Catholic Church canonized—and her instrument for doing so is More’s rival in the court of Henry VIII, Thomas Cromwell. Continue Reading »
Subscribe
Latest Issue
Support First Things
