Today was a day for patriotism, and Tocqueville describes two kinds. One is the natural love humans develop for the place and polity they were raised in, for its folkways and so forth. The second is a more reflective patriotism that, aided by enlightenment rationality, “grows with the exercise . . . . Continue Reading »
Got Some Truth! Emphasis on the some. Being against Carter in 1980 was an easy step. A number of rockers got the political jitters towards the end of the 70s—Bowie famously suggested, under whatever mix of drugs I know not, that Britain might need a fascist strongman, and even Paul Weller, as . . . . Continue Reading »
Back to war, and the “anti-war” stance. Part of the conclusion of Songbook #6 was that the stance of songs like “Blowin’ in the Wind” and “New Years Day” could easily lead to despair and overindulgence of anger. “Masters of War” certainly is a . . . . Continue Reading »
In the comments on Songbook #5, I was reminded that Bono said he wrote the central verse of U2’s “New Year’s Day” with Solidarity’s struggle in mind. My reply there lays out the erotic and political elements any full analysis of that song would address, and why the . . . . Continue Reading »
One night in early 1983, my teenaged-Christian-60s-obsessed-socialist/pacifist-leaning self heard this song on the radio. I had not heard U2 before, and I was thrilled. Here was a band politically committed in a way that smacked of the idealism of the 60s I had been reading about in library books, . . . . Continue Reading »
The Poetic Wisdom Paradox, which I abbreviate as the PWP, works as follows. A wise poet, let us say Homer, wants to convey wisdom in his poetic creation. Unlike the bohemian model of the underground poet satisfied with a tiny audience, we assume he begins with the poet’s traditional desire to . . . . Continue Reading »
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