Songs That Tell the Truth About Abortion
by Jonathon Van MarenIndeed, political propaganda can deceive—but art derived from experience rarely does. Continue Reading »
Indeed, political propaganda can deceive—but art derived from experience rarely does. Continue Reading »
The Best American Poetry 2018 edited by dana gioia scribner, 240 pages, $18.99 American poetry lost three greats last year: John Ashbery, Richard Wilbur, and Donald Hall. But it also welcomed A. R. Ammons’s “Finishing Up,” A. E. Stallings’s “Pencil,” and Anne . . . . Continue Reading »
The band U2 has announced it supports the pro-abortion side in Ireland’s upcoming referendum on abortion. Continue Reading »
Patti Smith is known as the “godmother of punk,” but she always had higher goals than trying to make rock sound dangerous as the hippy era came to an end. I once almost lost a friendship because I suggested that her voice was not strong enough to sustain the passion of her angrier songs. “She’s too frail to be a punk Janis Joplin,” I said. “And too New Jersey.” Maybe that wasn’t fair, especially the part about New Jersey, but I do think she sounds better when, like Bob Dylan, she works with her vocal weaknesses, not against them. She’s sometimes called the female Bob Dylan, but Dylan is a songster whose lyrics are poetic, while Smith is a poet who also sings rock and roll. Because she’s not a natural singer, melancholy fits her tonal range, and when she goes for pretty, without erasing the edginess of her tone, she sounds downright sublime. Continue Reading »
Praise music gets no respect, even among Christians. It is not hard to figure out why the unchurched don’t care for it. They can sing “Stairway to Heaven” with gusto because they don’t believe that the stairs are really going anywhere, while it is hard to sing “Here I Am to Worship” without doing exactly that. But Christians are people of praise. That’s what we do. So why do so many Christians have such a condescending attitude toward praise music? Continue Reading »
Well enough worryin and map-surveyin for the moment, lets at least get the tunes set. Impossible to even hope to survey the Jazz contributions—just stand around in the NOLA airport diggin the vintage Pops—so well start instead with 50s-era, or 50s-esque . . . . Continue Reading »
Since I want films about any and every sort of pop music since the advent of jazz, and about the rock music of 1966 to the present, for this topic Im sort of overlooking the rock v. rock n roll distinction I insist upon elsewhere . And since what I really want are films that convey what . . . . Continue Reading »
The last Songbook post could have been titled What Martha Bayles Has to Learn from Retro Rock n Roll. This post could be titled What Retro Rock n Roll Has to Learn from Martha Bayles. The basic lesson: the primitivist aesthetic cultivated by many in the retro scenes, and particularly in . . . . Continue Reading »
[Note: by the criteria laid out in Songbook #12 , this is not a Rock song, but a rock n roll one.] Songbook #37 considered the New-Wave-cloaked revival of earlier rock and roll styles burbling amid the early 80s pop charts, but now its time to go down to the underground as X-Ray Specs . . . . Continue Reading »
In previous Songbook posts, Ive posed rock and roll against rock, and against hard rock in particular. So what about the punk rejection of 70s dinosaur rock? Wasnt that a return to rock and roll fervor and simplicity? Why have I suggested that punk belongs to Rock more than it does to . . . . Continue Reading »