Martin Scorsese's Damned Men Walking
by John WatersMartin Scorsese’s The Irishman is a meditation on the notion of culpability carried without the possibility of absolution.
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Martin Scorsese’s The Irishman is a meditation on the notion of culpability carried without the possibility of absolution.
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When healthy, reasonable sources of solidarity and communion are allowed to wither and die, unhealthy, unreasonable versions gather strength. Continue Reading »
Hollywood needs to learn that evil is not all that interesting. Continue Reading »
A new documentary tells a story of forgiveness in the shadow of the South's Confederate past. Continue Reading »
When the Sight & Sound poll—the oldest and most prestigious film ranking—declared in 2012 that Vertigo was the greatest film ever made, Armond White denounced the film’s admirers for their “obsessive interest in pathology and soullessness.” James Wolcott dismissed the . . . . Continue Reading »
The moral of Avengers: Infinity War is that life is good—indeed, that life is a good, one the good guys seek to preserve, and bad guys seek to destroy. Continue Reading »
Darkest Hour, the recent Winston Churchill movie, is a rubbish film riddled with historical inaccuracies. Continue Reading »
The Last Jedi is a sociopolitical meta-commentary on the failures of the baby boomers. Continue Reading »
I, Tonya lets you see yourself in a woman who bitterly recalls how she became a criminal and a punchline. Continue Reading »
Zack Snyder's D.C. superhero films offer skillful, thoughtful, even spiritual popular culture. Continue Reading »