In his Devil’s Dictionary, Ambrose Bierce defined a novel as “a short story padded.” This is an all too apt description. The inability to prune a story to its essential story is an unfortunate quality shared by many modern writers and the primary reason that bookshelves are filled with . . . . Continue Reading »
I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of—to put it broadly—evil, suffering, and God; I have been talking for several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out … Continue Reading »
Sometimes a book is in the canon of children’s literature just because the writing is so good. Kenneth Grahame’s Wind in the Willows, for instance, stands as the perfection of its kind: a prose of greeny gold, of summer recollected in autumn’s light. Rudyard Kipling, too, has the perfect sort . . . . Continue Reading »
Late one night, a young scholar at Cambridge named Michael Ward reads “The Planets,” a minor poem by C.S. Lewis. In it he encounters a curious phrase about the influence of Jupiter: winter passed / And guilt forgiv’n. This, he notices, is exactly what happens in one of Lewis’s most . . . . Continue Reading »
It is often assumed that G. K. Chesterton and J. R .R. Tolkien were reactionary, antimodern writers. In a certain sense they were. Tolkien regarded nearly everything worthy of praise in English culture to have ended in 1066. He scorned the imposition of Norman culture on a vibrant English tradition . . . . Continue Reading »
The Right Attitude to Rain by alexander mccall smith pantheon, 288 pages, $21.95 Hard to believe that, only a handful of years ago, the name Alexander McCall Smith would have drawn a blank among American readers. An African-born academic in Scotland who specializes in medical law and frequently . . . . Continue Reading »
On Beauty by zadie smith penguin, 464 pages, $15 (paperback) In On Beauty, British writer Zadie Smith has turned her attention to the post-September 11 United States and has been widely praised for the result, which is a big comic novel that builds a topical tale on a classic foundation. . . . . Continue Reading »
CS. Lewis is hard to like and easy to love. As a solitary, clever, and bookish child he was a study in precocity, a model prig. “I have a prejudice against the French,” he announced, a four year old, to his father. Why? “If I knew why it wouldn’t be a prejudice.” At the age of nine he was . . . . Continue Reading »
Suppose that words were all you had. Suppose the great edifice of Western civilization had collapsed around you—all its truths, all its certainties, all its aspirations smashed to meaningless shards. Suppose . . . oh, I don’t know, suppose that it was 1919, and the First World War had just . . . . Continue Reading »
Snow by Orhan Pamuk Knopf. 426 pp. $26. Two months after the terrorist attacks of September 11, 2001, Turkish author Orhan Pamuk published an essay in the New York Review of Books (titled “The Anger of the Damned”) in which Pamuk, who is often mentioned as a contender for the Nobel Prize, tried . . . . Continue Reading »
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