2021: Our Year in Film and Television
by VariousWe asked some of our writers to contribute a paragraph or two about the most memorable movies and TV shows they saw this year.
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We asked some of our writers to contribute a paragraph or two about the most memorable movies and TV shows they saw this year.
Continue Reading »
Dune isn’t merely the sci-fi novel of sweeping scope and futuristic gadgets, but a story of man’s craving for God. Continue Reading »
Critics who bemoan the film’s departures from its source material misapprehend the nature of adaptation, which requires interpreting and resituating a work of art. Continue Reading »
We asked some of our writers to contribute a paragraph about the most memorable movies and TV shows they saw this year. Continue Reading »
We are owed better films about Appalachia and the Rust Belt—about the “back row Americans” who are at once incredibly ordinary and incredibly extraordinary. Continue Reading »
A recent documentary on abortion, Divided Hearts of America, invites conversations rather than condemnations. Continue Reading »
What Éric Rohmer said of one of his characters could be said of him as well: He was committed to “redoing all of Rousseau in reverse.” His films are anti-romantic. They reject romantic notions of liberation and autonomy. They critique the cult of romantic love. They warn against a romantic . . . . Continue Reading »
For Yaakov Smith, a transgender person who lives and teaches in Jerusalem, Orthodoxy is a bit like the exaggerated femininity of the drag queen. Continue Reading »
In the mid-1940s, Hollywood began to make a new kind of crime film. Combining sex and violence, lust and greed, the “noir” was distinguished by the darkness of its themes and photography. Double Indemnity (1944) was, as a critic noted in the New York Times, “the first of the . . . . Continue Reading »
Eric Gill and Roman Polanski are both guilty of revolting crimes. But should we be punished by being deprived of the results of their undeniable talent? Continue Reading »