Recently, I sat down to watch Desire of the Everlasting Hills, a newly released documentary about three Christians who pursued their attraction to members of the same sex but then—after diverse experiences and disappointments—embraced chastity and their erstwhile faith. One had pursued the New York fast life, another monogamous stability, and the third had attempted to eschew an Evangelical upbringing in response to his inclination toward men. The documentary was produced by Courage, the much-maligned ministry of the Roman Catholic Church that aids those with same-sex attractions who seek to live chastely. Continue Reading »
Is it possible for a film to capture the horror of the sexual abuse scandal in the Catholic Church while at the same time presenting a case for the necessity of the institutional priesthood? Against all odds, this is exactly what Irish director John Michael McDonagh’s Calvary manages to do. Father James (played with magnificent presence by Brendan Gleeson) is a good priest, if a haunted one. He is a widower and an alcoholic with a suicidal daughter and a parish full of troubled townspeople in rural Ireland. One afternoon a parishioner confesses to him that he was serially raped by a now-deceased priest as a child, and as a way of taking revenge, he will kill Fr. James in a week. Continue Reading »
A cold has severely damaged my already limited thinking abilities. I just rewatched “The Way of the Gun”. I saw it about a dozen years ago and remembered it as an enjoyable and darkly funny action movie with an exceptional performance by James Caan. Seeing it again, the movie, for . . . . Continue Reading »
So I saw Man of Steel again and here are some thoughts, 1. Peter Lawler’s subversive interpretation of the Republic-in-speech is also the film’s subversive interpretation of the Republic-in-speech. 2. Zod’s tragedy is that he has completely collapsed the categories of good man and . . . . Continue Reading »
Don’t believe the professional movie critics. Just as Superman Returns has seen its reputation (deservedly) decline since it came out, Man of Steel is likely to see its critical reputation improve in the years ahead. The most puzzling critique of Man of Steel is that it lacks the . . . . Continue Reading »
Noah Baumbach loves Greta Gerwig and its not funny. Frances Ha is amusing, but the “ha” is always on its own, without an accompanying “ha” (repeat) that makes for real laughter. The movie is and is not about Greta Gerwig. Greta Gerwig has had a very . . . . Continue Reading »
For years when people have asked me which woman I honor, I am likely to say Margaret Thatcher. You can imagine the varied responses I get, depending of the politics of the person who asks the question. There are not many people one does not know whose deaths inspire grief; for . . . . Continue Reading »
So I saw the science fiction movie Looper a couple of weeks ago. A lot of stuff is going on. Some of it is time travel stuff and it gets kind of complicated, but I want to focus a bit on the family dynamics. The two main male characters become mass murderers in response to losing their mothers. One . . . . Continue Reading »
Earlier this month I fell ill with the horrible flu that is going around and lying abed in misery decided not to pay too much attention to the news for sanity’s sake. Of course, the space between not too much and no attention leaves plenty of room for discouragement and distress. . . . . Continue Reading »
This and the next will be the last songbook posts on pop-music movies for a while. Despite my doing five(!) posts on ALMOST FAMOUS , two on the SCHOOL OF ROCK, and an epic one on THE DOORS, I do think that among my list of pop-music films , THE LAST DAYS OF DISCO is the standout in terms of sheer . . . . Continue Reading »
