We do not exercise moral judgment in the same manner in every instance. Broadly, there are three basic situations in the moral life, which require three different ways of thinking. The recent pandemic, and the ensuing reflections on our moral responsibilities as civic leaders and citizens, . . . . Continue Reading »
What Éric Rohmer said of one of his characters could be said of him as well: He was committed to “redoing all of Rousseau in reverse.” His films are anti-romantic. They reject romantic notions of liberation and autonomy. They critique the cult of romantic love. They warn against a romantic . . . . Continue Reading »
Last month, two Jewish artists offered two divergent visions of the life worth living that anyone curious about the state of our union ought to examine. Continue Reading »
The Family Story Project attempts to “dismantle family privilege” by casting the traditional family as diseased and oppressive. Continue Reading »
Let's add to the lists of movies that other periodicals have suggested people watch while stuck in their homes. Continue Reading »
For those of us who were adults before the advent of the Internet, a three-ring binder was the best way to keep track of our favorite recipes. Most of the women I know still have one, filled with recipes torn from magazines or printed from websites, handwritten by friends on index cards and . . . . Continue Reading »
Capitalism gets off easy these days. Its loud but underwhelming critics are stuck in the 1960s, repeating slogans that never quite amount to a compelling condemnation of the system. Proposing costly federal programs is all it takes to be considered an anti-capitalist radical. Take, for instance, . . . . Continue Reading »
In June 1970, America’s first gay pride parades hit the streets. Four U.S. cities—New York, Los Angeles, Chicago, and San Francisco—hosted crowds ranging from several hundred to a few thousand marching with homemade signs declaring “pride,” “power,” and “liberation.” Like . . . . Continue Reading »
The Russian soul. The phrase serves as shorthand for Russia’s national character, after the manner of American innocence, French arrogance, Italian dolce far niente, and what used to be the English stiff upper lip. Russians are reputed to feel more than the rest of us do, think deep thoughts . . . . Continue Reading »
In the opening lines of Cold Warriors, Duncan White notes that “between February and May 1955, a group covertly funded by the Central Intelligence Agency launched a secret weapon into Communist territory”: balloons carrying copies of George Orwell’s Animal Farm. This was perhaps the . . . . Continue Reading »
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