Edmund Campion (1540–81) and Elizabeth Anscombe (1919–2001) were among the most brilliant of their generations of Oxford students: he at St. John’s College, she at St. Hugh’s. Later, each held fellowships in the university and delivered sermons in the university church of St. Mary the . . . . Continue Reading »
The unrest that erupted in late May 2020 started in Minneapolis, my hometown, with the death of George Floyd in police custody. In the protests and riots that followed, Black Lives Matter and Antifa were the shock troops, “police brutality” the rallying cry. It seemed at first an uprising from . . . . Continue Reading »
Cancel culture is not just a culture that cancels the past. It is a culture that cancels culture itself. Continue Reading »
The idea that one can report on one’s own death is paradoxical, if not preposterous. As Epicurus wrote in his Letter to Menoeceus, “When we exist, death is not; and when death exists, we are not.” To which Woody Allen added the footnote, “I don’t mind dying . . . as long as I . . . . Continue Reading »
For better or worse, it’s an EC world, we just live in it.
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Fr. Reginald Thomas Foster, O.C.D., inspired thousands to love and study Latin.
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Cluny Media republishes rare and hard-to-find classics of Catholic letters. Continue Reading »
George Frazier had a story about the first time he met John O’Hara. The journalist and clotheshorse Frazier was introduced to the novelist O’Hara while hanging out at a Greenwich Village jazz club. The famously cranky O’Hara looked Frazier up and down before inviting him to have a drink. . . . . Continue Reading »
Writing cannot be taught, as I came to realize after attempting to teach it for thirty years to university students, but it can be learned. One can only teach the mistakes bad writers make and provide examples of what makes good writers good. One cannot teach a love of language, the power of . . . . Continue Reading »
In the annals of monumental sculpture, James Earle Fraser’s equestrian statue of Theodore Roosevelt hardly ranks as a masterpiece. The Rough Rider is portrayed in frontiersman’s garb and flanked by two figures on foot: a Plains Indian and an African tribesman. Prominently sited before the august . . . . Continue Reading »
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