In Letter to the Duke of Norfolk, Blessed John Henry Newman suggests gamely that religion should never be the subject matter for after-dinner social toasts. But, he says “if I am obliged to bring religion into after-dinner toasts, I shall drink—to the Pope, if you please—still, to Conscience . . . . Continue Reading »
When I was asked to sign the Appeal critiquing Paragraph 137, I initially agreed with the reading of the authors of the Appeal—but as I studied the paragraph more carefully, it became clear to me that it could be read in a much more benign fashion, and that the benign reading is the correct . . . . Continue Reading »
An Instrumentum laboris (working paper) was prepared for the XIV Ordinary Assembly of the Synod of Bishops and published on June 23, 2015. It covers a range of topics germane to the Synod’s theme of the family. Paragraph 137 addresses a key document of the modern Magisterium, Humanae Vitae, in a . . . . Continue Reading »
The threat to conscience rights in medicine is more advanced than many realize. A concerted effort is required to regain lost ground. Continue Reading »
Today’s students are more socialized and considerably more self-disciplined than their predecessors. To teach them is a joy, but they will risk nothing, not even for one facetious question on a minor exam. Continue Reading »
Vatican II’s teaching on religious freedom changed policy, not . . . . Continue Reading »
The law in several states now requires pro-life pharmacists to dispense the morning-after pill, Christian adoption agencies to place children with same-sex couples, and religious entities to pay for their employees’ contraceptives. The list of such violations of religious freedom keeps growing, . . . . Continue Reading »
Nothing is more common in life than a seeming tension between the freedom of individuals and the authority of communities and their designated leaders. From individual citizens who must set aside their own desires and obey laws they think unwise, to athletes who must subordinate their individual . . . . Continue Reading »
In opera, it’s good to be the tenor. You get the high notes, you get the girl, and you get the big fees. And this has been a half century rich in remarkable tenors. Perhaps there has been no voice so purely beautiful as Luciano Pavarotti’s (or as profitable), and probably no singer so broadly . . . . Continue Reading »
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