There recur in the work of T. S. Eliot two obsessions that make one cringe: his Jew-hatred and his contempt for Shakespeare’s Hamlet. The first is sometimes excused as a reflection of ambient prejudice, the second as critical crankiness. In fact, these obsessions have a common source. The . . . . Continue Reading »
For many years, apart from sporadic eruptions in American society, the issue of race has played Banquo’s ghost at the American evangelical banquet: an unsettling, unwelcome, somewhat passive guest. But recent trends in American public opinion, fueled by reports of police violence, have made race . . . . Continue Reading »
What Éric Rohmer said of one of his characters could be said of him as well: He was committed to “redoing all of Rousseau in reverse.” His films are anti-romantic. They reject romantic notions of liberation and autonomy. They critique the cult of romantic love. They warn against a romantic . . . . Continue Reading »
The new religion of anti-racism encourages people to practice what Jesus condemned: “Do not judge, lest you too be judged” (Matt. 7:1). Continue Reading »