Life wreathes flowers for death to wear. Dante Gabriel Rossetti (1828–1882), who said as much, is dead and gone, his sonnets deader still, if we may judge by classroom syllabi and the infrequency with which his name appears in the leading periodicals. He still crops up half a dozen times a decade . . . . Continue Reading »
It was Lisa del Giocondo who first alerted me to the perils of photography. I’ve been visiting her for years at her spacious home in the Louvre, and I have always been bemused by the ritual of her admirers approaching her, camera in hand, clicking away furiously. But this summer’s visit, my . . . . Continue Reading »
My grandfather died before I was born, and he remains to me a mostly mysterious figure. As is true of many people born poor who are committed to bettering their lot, his hours were taken up with work, family, and church; not much was left for that luxury item we call personality. A big man with paws . . . . Continue Reading »
Andrei rublev, the masterpiece of the great Soviet filmmaker Andrei Tarkovsky, opens with a failed attempt to conquer God. A man attached to a hot-air balloon floats to the upper domes of an imposing church, the tallest structure that a mob of fifteenth-century monks and peasants will ever see in . . . . Continue Reading »
Christopher Nolan reminds us that cinema—not just consumable movies, but cinema as an art to be experienced in a particular way—is not entirely lost to nostalgia. Continue Reading »
Derek Brooks joins the podcast to discuss beauty's effect on the soul and his work at Benedictus Art providing schools with high-quality fine art reproductions. Continue Reading »
Derision of Christianity merely offers smug affirmation of the triumph of one of the most powerful lobby groups within Western culture. Continue Reading »