Mark Bauerlein is Senior Editor at First Things and Professor of English at Emory University, where he has taught since earning his PhD in English at UCLA in 1989. For two years (2003-05) he served as Director of the Office of Research and Analysis at the National Endowment for the Arts. His books include Literary Criticism: An Autopsy (1997), The Pragmatic Mind: Explorations in the Psychology of Belief (1997), and The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes Our Future (2008). His essays have appeared in PMLA, Partisan Review, Wilson Quarterly, Commentary, and New Criterion, and his commentaries and reviews in the Wall Street Journal, Washington Post, Boston Globe, Weekly Standard, The Guardian, Chronicle of Higher Education, and other national periodicals.
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Mark Bauerlein
When a humanities department selects its materials because they reflect identity groups, it no longer functions as a humanities department.
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While progressives are happy to recognize this or that identity, provided that doing so demonstrates their pluralistic instincts, in truth the divisions among these “aggrieved groups” only conduce to centralization. Continue Reading »
Mexican Ray was one of a bunch of guys around the Del Mar Racetrack in 1980 and ’81. For two months each summer, I did nine hours a day, six days a week in this world all its own. I sold the Herald-Examiner racing edition in the plaza outside the grandstand, my brother in the clubhouse. Horse . . . . Continue Reading »
Back in the 1970s, when the humanities still set the intellectual tone for the college campus, it was common for advanced scholars to divide the personnel in two: There were those who understood High Theory and those who didn’t. New ideas and methods were in the air. Leading-edge journals and . . . . Continue Reading »
It’s called the chapel.
The seventies and beyond marked a shift in the meaning of youth. People wanted to stay young far beyond the traditional age, and “the young were taking longer to grow up.” Continue Reading »
If you have attended many poetry readings, you know how often they turn out to be flat and pedestrian affairs. A figure at the podium recites lines from compositions published and unpublished, and otherwise doesn’t have much to say. You hear a bit of biographical context for this or that specimen, . . . . Continue Reading »
If you need a reason for why a fair portion of conservative voters were disenchanted enough with the Republican Establishment to head over to Donald Trump's place, take a look at the final paragraph of David Frum's cover essay in the September issue of Commentary, “Is It 1968?” Continue Reading »
It’s tough to be a Martin Luther King liberal. All his life he has believed that bias ends when we recognize people as unique individuals, not group representatives. He will talk about groups in big terms, the “black vote” and “equal pay for women,” but he knows that equality comes down to . . . . Continue Reading »
To become an egalitarian in the area of beauty was to cancel your full appreciation of what is great and profound. We all like to slum it, sometimes, but to get too enthusiastic about pop culture materials or, worse, to take them seriously as objects of aesthetic judgment—well, that was an abdication of the critic's responsibilities, not to mention a sign of vulgar taste. Continue Reading »
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