In the Chronicles of Higher Education , Michael Roth, a humanities professor at Wesleyan University, explains how the notion of “critical thinking” has devolved into the game of just being critical of whatever someone says:
A common way to show that one has sharpened one's critical thinking is to display an ability to see through or undermine statements made by (or beliefs held by) others. Thus, our best students are really good at one aspect of critical thinking—being critical. For many students today, being smart means being critical. To be able to show that Hegel's concept of narrative foreclosed the non-European, or that Butler's stance on vulnerability contradicts her conception of performativity, or that a tenured professor has failed to account for his own “privilege”—these are marks of sophistication, signs of one's ability to participate fully in the academic tribe. But this participation, being entirely negative, is not only seriously unsatisfying; it is ultimately counterproductive.The skill at unmasking error, or simple intellectual one-upmanship, is not completely without value, but we should be wary of creating a class of self-satisfied debunkers or, to use a currently fashionable word on campuses, people who like to “trouble” ideas. In overdeveloping the capacity to show how texts, institutions, or people fail to accomplish what they set out to do, we may be depriving students of the capacity to learn as much as possible from what they study. In a humanities culture in which being smart often means being a critical unmasker, our stustudents may become too good at showing how things don’t make sense. That very skill may diminish their capacity to find or create meaning and direction in the books they read and the world in which they live. Once outside the university, our students continue to score points by displaying the critical prowess for which they were rewarded in school. They wind up contributing to a cultural climate that has little tolerance for finding or making meaning, whose intellectuals and cultural commentators delight in being able to show that somebody else is not to be believed.
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In training our students in the techniques of critical thinking, we may be giving them reasons to remain guarded—which can translate into reasons not to learn. The confident refusal to be affected by those with whom we disagree seems to have infected much of our cultural life: from politics to the press, from siloed academic programs (no matter how multidisciplinary) to warring public intellectuals. As humanities teachers, however, we must find ways for our students to open themselves to the emotional and cognitive power of history and literature that might initially rub them the wrong way, or just seem foreign. Critical thinking is sterile without the capacity for empathy and comprehension that stretches the self.
One of the crucial tasks of the humanities should be to help students cultivate the willingness and ability to learn from material they might otherwise reject or ignore.
Via Gene Veith , who offers a sensible recommendation: “Let’s retire the term ‘critical thinking.’ Let’s just call it ‘thinking.’”
