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Ralph C. Wood
On June 5, 2015, the U.S. Postal Service published a commemorative stamp in honor of Flannery O’Connor. O’Connor is an anomalous candidate for such acclaim, since her work stands at a critical distance from the American project, both in its older and more recent iterations. Precisely in her . . . . Continue Reading »
Scanning half a dozen major journals for obituaries devoted to the most important mystery writer of our time, P. D. James (19202014), I was astonished to find that not one of them mentioned her serious Anglo-Catholicism, much less its shaping presence in her fiction. This, despite one murder occurring in a church (A Taste for Death, 1986), a novel set in a theological college (Death in Holy Orders, 2001), another named Original Sin (1994), still another titled directly from the Book or Common Prayer (Devices and Desires, 1989), as well as an apocalyptic Christian allegory (The Children of Men, 1992). Continue Reading »
A Prayer Journalby flannery o’connorfarrar, straus and giroux, 112 pages, $18 If we could accurately map heaven,” Flannery O’Connor wrote in her newly published A Prayer Journal, “some of our up-&-coming [social] scientists would begin drawing blueprints for its . . . . Continue Reading »
G. K. Chesterton’s most renowned book is a hundred years old. Orthodoxy was first published in London by John Lane Press in 1908, and it has never gone out of print—with more than two dozen publishers now offering editions of the book. Graham Greene once described it as “among the great . . . . Continue Reading »
It is often assumed that G. K. Chesterton and J. R .R. Tolkien were reactionary, antimodern writers. In a certain sense they were. Tolkien regarded nearly everything worthy of praise in English culture to have ended in 1066. He scorned the imposition of Norman culture on a vibrant English tradition . . . . Continue Reading »
The Lighthouse by P.D. James Knopf, 352 pages, $25.95. IN HIS CELEBRATED 1948 essay on detective fiction, The Guilty Vicarage, W.H. Auden argued that the appeal of crime novels lies in their dialectic of innocence and guilt. A seemingly edenic community is discovered to have . . . . Continue Reading »
It is has become commonplace to regard Ivan Karamazov’s “Legend of the Grand Inquisitor” as a prescient parable glorifying human freedom and defending it against the kind of totalitarian threats it would face in the twentieth century. Fyodor Dostoevsky’s angry atheist delivers an uncanny . . . . Continue Reading »
With the death of Sydney Ahlstrom and the retirements of Robert Handy and Martin Marty from the classroom, Mark Noll has surely become our leading teacher-historian of American Christianity. George Marsden may be his superior in charting the history of American fundamentalism and the Christian . . . . Continue Reading »
Protestants and Pictures: Religion, Visual Culture, and the Age of American Mass Production
From the November 2000 Print EditionIn accord with much of Scripture itself, the churches of the Reformation have emphasized the ear over the eye: fides ex auditu . The conviction that faith comes less by seeing than by hearing (Romans 10:17) undergirded the Protestant renewal of the Church through the preached and . . . . Continue Reading »
A healthy dose of Christian disbelief or “holy skepticism” would serve as a much-needed antidote to the soft-core spirituality that saps much of contemporary Christianity, especially in its evangelical expression. An anti-doctrinal sentimentality often rules the worship and the art of our . . . . Continue Reading »
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