R. Patard

It was in 1904, at Christmastime, that American impresario Charles Frohman first staged James M. Barrie’s play Peter Pan: or, The Boy Who Wouldn’t Grow Up at London’s Duke of York’s Theatre. Perhaps the astute Jewish producer had noticed, as David Goldman put it in his December 2006 essay “Sympathy for Scrooge,” that “the Christmas season [is] a moment when the entire Gentile world is given over to a child’s view of things.” … . Continue Reading »