Micah Mattix

Taking his cue from Wallace Stevens who said that poetry is the “supreme fiction,” Al Gore, as you may know, has published a climate change poem in his new book, Our Choice . The first stanza is actually not too bad, but it falls apart quicker than an arctic iceberg after that, alas. . . . . Continue Reading »

In the November 17th issue of The Christian Century , Miroslav Volf reveals that he was one of the experts consulted by Yale University Press in The Cartoons That Shook the World fiasco and explains why he recommended that the press not reprint the Danish images. Doing so, Volf writes, . . . would . . . . Continue Reading »

Having just received my own review copy of A New Literary History of America from Harvard University Press, I was intrigued to read Mark Bauerlein and Priscilla Ward’s email exchange on the book over at The Chronicle of Higher Education . Unsurprisingly, the book does not just focus on . . . . Continue Reading »

In a recent issue of the Chronicle of Higher Education , Xenia Markowitt, director of the Center for Women and Gender at Dartmouth College, answers the question: “Is It My Job to Teach the Revolution?” (Subscription required. The full article, however, is also available at . . . . Continue Reading »

The above tagline is from the new “Futurisms” blog over at The New Atlantis . If you haven’t had the chance to check it out, I highly recommend you do. The blog engages techies who reduce human cognition to the material processes of the brain and who hope to harness technology to . . . . Continue Reading »

Poet and translator Sarah Ruden will no longer publish with Yale University Press following its decision to remove the controversial Danish images—and all other images—of Muhammad from Klausen’s The Cartoons That Shook the World , and in a letter to the editors of The New Criterion . . . . Continue Reading »

Over at Public Discourse , Matthew J. Milliner has written one of the best brief articles on conservatism and the arts that I have read in some time: To familiarize oneself with contemporary conservative ideas and publications often means choosing culture wars over culture. Conservatives are . . . . Continue Reading »

Perhaps, says David E. Anderson in an interesting review essay on a number of recent books of criticism on the sacramental element in poetry. . . . . Continue Reading »

The new issue of Poetry Magazine is dedicated to two new “movements” in American poetry: Flarf and Conceptual Writing. I use quotation marks around the word movements because I think the word gimmick is more accurate. Unfortunately, I can’t use the word gimmick. You see, . . . . Continue Reading »

One of the tenets of deconstruction is that all texts resist closure. There is always more than one meaning to a text. There is a kernel of truth in this. Because of our finite nature, there are certain things that human language cannot express, and because our nature is further limited by the . . . . Continue Reading »